Intro; Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics; Contents; About the Authors; Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics; Introduction; Social Structures and Categories in Creative Industries; A Relational View of Creative Industries: Exploring the Interactions of Structures and Categories; Conclusion: The Present and Future of Creative Industries; References; Brokerage Styles and Interaction Rituals in Creative Projects: Toward an Interactionist Perspective on Brokerage.

Brokerage in Creative Projects: From Structure to Process to Micro-InteractionsThe Two Building Blocks of an Interactionist Perspective on Brokerage in Creative Projects: Brokerage Styles and Interaction Rituals; A Process Model of Brokerage Styles and Interaction Rituals in Creative Projects; Resource Gathering Phase; Creative Development Phase; Implementation Phase; Discussion; Acknowledgments; Notes; References; Creative Leadership for Social Impact; Creative Leadership and the Organizing Potential of Architecture; Setting, Data, and Methods.

Findings: Creative Leadership Processes for Social ImpactFacilitating: Problem Definition through Micro-interactions and Multimodality; Integrating: Solution Synthesis through Design and Organizing; Directing: Model Realization through Brokerage and Strategic Framing; Scaling Up Impact: Replication and Evangelizing; Discussion and Conclusion; Acknowledgments; References; Strange Bedfellows: Art and Finance or the Monet-ization of Art; The Art Market; Art Investment in Historical Perspective; Contemporary Art; Hypotheses; Data; Results; Conclusions; Notes; References.

Why is Style not in Fashion? Using the Concept Of "Style" to Understand the Creative IndustriesIntroduction; Setting the Stage: Putting Style at the Center; Perspectives from Across the Social Sciences: Style, its Related Concepts, and the Study of the Creative Industries; Style in Sociology: Style is not Status; Style in Anthropology: Understanding Artifacts; Style in Cultural Studies: Pathways to Institutionalization; Style in Management: Stylistic Categories; A Definition of Style; Why Style Matters: Elements of the Evaluation of Styles; Conclusions and Discussion; Acknowledgments.

BiographyNotes; References; The Social Structure of Consecration in Cultural Fields: The Influence of Status and Social Distance in Audience-Candidate Evaluative Processes; Introduction; The Allocation of Symbolic Capital in Tournament Rituals; Status and Rewards; Social Distance and Rewards; Empirical Setting; Data; Dependent variable; Independent variables; Control variables; Method; Results; Discussion and Conclusions; Notes; Acknowledgments; References; Institutionalizing Authenticity in the Digitized World of Music; Introduction; Commodifying Music, Institutionalizing Authenticity.