Rap music and street consciousness

Book Cover
Publisher:
University of Illinois Press,
Pub. Date:
[2002]
Language:
English
Description
In this first musicological history of rap music, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of hip-hop lifestyle and culture. Rap music, according to Keyes, is a forum that addresses the political and economic disfranchisement of black youths and other groups, fosters ethnic pride, and displays culture values and aesthetics. Blending popular culture with folklore and ethnomusicology, Keyes offers a nuanced portrait of the artists, themes, and varying styles reflective of urban life and street consciousness. Drawing on the music, lives, politics, and interests of figures including Afrika Bambaataa, the "godfather of hip-hop," and his Zulu Nation, George Clinton and Parliament-Funkadelic, Grandmaster Flash, Kool "DJ" Herc, MC Lyte, LL Cool J, De La Soul, Public Enemy, Ice-T, DJ Jazzy Jeff and the Fresh Prince, and The Last Poets, Rap Music and Street Consciousness challenges outsider views of the genre. The book also draws on ethnographic research done in New York, Los Angeles, Detroit and London, as well as interviews with performers, producers, directors, fans, and managers. Keyes's vivid and wide-ranging analysis covers the emergence and personas of female rappers and white rappers, the legal repercussions of technological advancements such as electronic mixing and digital sampling, the advent of rap music videos, and the existence of gangsta rap, Southern rap, acid rap, and dance-centered rap subgenres. Also considered are the crossover careers of rap artists in movies and television; rapper-turned-mogul phenomenons such as Queen Latifah; the multimedia empire of Sean "P. Diddy" Combs; the cataclysmic rise of Death Row Records; East Coast versus West Coast tensions; the deaths of Tupac Shakur and Christopher "The Notorious B.I.G." Wallace; and the unification efforts of the Nation of Islam and the Hip-Hop Nation.
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ISBN:
9780252072017
9780252027611
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Grouping Information

Grouped Work IDd68ca2a2-be5d-5264-fc14-960c50f4d85b
Grouping Titlerap music and street consciousness
Grouping Authorkeyes cheryl lynette
Grouping Categorybook
Last Grouping Update2018-10-10 01:06:21AM
Last Indexed2019-10-16 03:51:44AM

Solr Details

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authorKeyes, Cheryl Lynette.
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display_description"Traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of the hip-hop style."--Cover.
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primary_isbn9780252072017
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Bib IdFormatFormat CategoryEditionLanguagePublisherPublication DatePhysical Description
ils:.b31001324BookBooksEnglishUniversity of Illinois Press, [2002]xxv, 302 pages : illustrations ; 24 cm.
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Bib IdItem IdGrouped StatusStatusLocally OwnedAvailableHoldableBookableIn Library Use OnlyLibrary OwnedHoldable PTypesBookable PTypesLocal Url
ils:.b31001324.i59544090On ShelfOn Shelffalsetruetruefalsefalsetrue80, 76, 77, 78, 79
seriesMusic in American life
series_with_volumeMusic in American life|
subject_facetCriticism, interpretation, etc
Geschichte
Hiphop
Rap
Rap (Music)
Rap (Music) -- History and criticism
Rap (Music) -- Social aspects
Rap (Musique) -- Aspect social -- États-Unis
Rap (Musique) -- États-Unis -- Histoire et critique
USA
title_displayRap music and street consciousness
title_fullRap music and street consciousness / Cheryl L. Keyes
title_shortRap music and street consciousness
topic_facetAspect social
Geschichte
Hiphop
Histoire et critique
History and criticism
Rap
Rap (Music)
Rap (Musique)
Social aspects
États-Unis