Art history and fetishism abroad: global shiftings in media and methods
(eBook)

Book Cover
Contributors:
Series:
Published:
Bielefeld : Transcript Verlag, [2014].
Format:
eBook
ISBN:
9781322079257, 1322079250, 9783839424117, 3839424119
Physical Desc:
1 online resource (324 pages) : illustrations (some color)
Status:
Ebsco (CCU)
Description

By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called "fetishes" take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods

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APA Citation (style guide)

Genge, G., & Stercken, A. (2014). Art history and fetishism abroad: global shiftings in media and methods. Bielefeld, Transcript Verlag.

Chicago / Turabian - Author Date Citation (style guide)

Genge, Gabriele and Angela, Stercken. 2014. Art History and Fetishism Abroad: Global Shiftings in Media and Methods. Bielefeld, Transcript Verlag.

Chicago / Turabian - Humanities Citation (style guide)

Genge, Gabriele and Angela, Stercken, Art History and Fetishism Abroad: Global Shiftings in Media and Methods. Bielefeld, Transcript Verlag, 2014.

MLA Citation (style guide)

Genge, Gabriele, and Angela Stercken. Art History and Fetishism Abroad: Global Shiftings in Media and Methods. Bielefeld, Transcript Verlag, 2014.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Language:
English

Notes

Bibliography
Includes bibliographical references.
Description
By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called "fetishes" take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods
Language
English.
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Grouped Work ID:
ccdb4805-0f27-0a00-1e82-69abf82c0d7c
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Last File Modification TimeMay 07, 2024 09:10:19 PM
Last Grouped Work Modification TimeMay 07, 2024 08:57:32 PM

MARC Record

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504 |a Includes bibliographical references.
520 |a By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called "fetishes" take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods
5050 |6 880-01|a Cover Art History and Fetishism Abroad. Global Shiftings in Media and Methods; Content; Preface; Being Abroad -- an Introduction; Phenomenologies; Survival of Images? Fetish and the Concept of the Image between West Africa and Europe; Speared Heads. Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity.
5058 |a Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity.
5058 |a Incorporations of the Other -- Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality; Biographical Notes.
5880 |a Print version record.
546 |a English.
650 0|a Fetishism in art.
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650 4|a Art, Architecture & Applied Arts.
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650 7|a ART / History / General|2 bisacsh
650 7|a Fetishism in art|2 fast
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7001 |a Stercken, Angela,|e editor.
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830 0|a Image (Transcript (Firm)) ;|v Volume 54.
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88000|6 505-01/(S|t Frontmatter --|t Content --|t Preface --|t Being Abroad -- an Introduction /|r Genge, Gabriele ; Stercken, Angela --|t Survival of ImagesFetish and the Concept of the Image between West Africa and Europe /|r Genge, Gabriele --|t Speared Heads. Portraits as Things in 20th-Century Sculpture /|r Körner, Hans --|t Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obide ε Aba : Time Will Tell /|r Okoye, Ikem Stanley --|t Currency Affairs. Photography and Productivity /|r Meincke, Kerstin --|t Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art" /|r Ogbechie, Sylvester Okwunodu --|t [Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic /|r Stercken, Angela --|t On a PedestalOn the Problem of the Sculptural as a Category of Perception for Islamic Objects /|r Troelenberg, Eva-Maria --|t Bocio. From Nothingness to Liminality and Minimality /|r Adandé, Joseph C.E. --|t Encounters with Masks: Counter-Primitivism in 20 /|r Kravagna, Christian --|t Fetishising Modernity: Bricolage Revisited /|r Picton, John --|t Fixing Shadows: Photography Beyond the Indexical /|r Reinhardt, Thomas --|t Incorporations of the Other -- Exotic Objects, Tropicalism, and Anthropophagy /|r Karentzos, Alexandra --|t Monumentality and Transnationality: The Fascination with Gigantic D ing Bronze Vessels in Modern China /|r Tseng, Lillian Lan-ying --|t Why have there been no Great ForgeriesCollectors, Artifacts, and the Question of Originality /|r Ulz, Melanie --|t Biographical Notes.
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