Free Verse: an Essay on Prosody.
(eBook)
To make sense of free verse"" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton Uni
Hartman, C. O. (2014). Free Verse: an Essay on Prosody. Princeton, Princeton University Press.
Chicago / Turabian - Author Date Citation (style guide)Hartman, Charles O. 2014. Free Verse: An Essay On Prosody. Princeton, Princeton University Press.
Chicago / Turabian - Humanities Citation (style guide)Hartman, Charles O, Free Verse: An Essay On Prosody. Princeton, Princeton University Press, 2014.
MLA Citation (style guide)Hartman, Charles O. Free Verse: An Essay On Prosody. Princeton, Princeton University Press, 2014.
Notes
Record Information
Last File Modification Time | May 07, 2024 09:10:03 PM |
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Last Grouped Work Modification Time | May 08, 2024 12:59:10 PM |
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520 | |a To make sense of free verse"" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton Uni | ||
505 | 0 | 0 | |t Frontmatter --|t Contents --|t Acknowledgments --|t Preface --|t Introduction --|t Chapter One. Some Definitions --|t Chapter Two. Accentualism, Isochrony, and the Musical Fallacy --|t Chapter Three. Free Verse and Prose --|t Chapter Four. Counterpoint --|t Chapter Five. The Discovery of Form --|t Chapter Six. The Discovery of Meter --|t Chapter Seven. Free Verse and Poetry --|t Chapter Eight. Some Contemporaries --|t Appendix. Full Texts of Three Quoted Poems --|t Notes --|t List of References --|t Index --|t Backmatter |
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650 | 7 | |a Free verse|2 fast | |
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