Irony and Idyll: Jane Austen's Pride and Prejudice and Mansfield Park on Screen.
(eBook)
Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amu.
Sørbø, M. N. (2014). Irony and Idyll: Jane Austen's Pride and Prejudice and Mansfield Park on Screen. Amsterdam, Editions Rodopi.
Chicago / Turabian - Author Date Citation (style guide)Sørbø, Marie N. 2014. Irony and Idyll: Jane Austen's Pride and Prejudice and Mansfield Park On Screen. Amsterdam, Editions Rodopi.
Chicago / Turabian - Humanities Citation (style guide)Sørbø, Marie N, Irony and Idyll: Jane Austen's Pride and Prejudice and Mansfield Park On Screen. Amsterdam, Editions Rodopi, 2014.
MLA Citation (style guide)Sørbø, Marie N. Irony and Idyll: Jane Austen's Pride and Prejudice and Mansfield Park On Screen. Amsterdam, Editions Rodopi, 2014.
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Record Information
Last File Modification Time | Apr 05, 2024 09:36:10 PM |
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Last Grouped Work Modification Time | Apr 05, 2024 09:12:39 PM |
MARC Record
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100 | 1 | |a Sørbø, Marie N. | |
245 | 1 | 0 | |a Irony and Idyll :|b Jane Austen's Pride and Prejudice and Mansfield Park on Screen. |
260 | |a Amsterdam :|b Editions Rodopi,|c 2014. | ||
300 | |a 1 online resource (423 pages) | ||
336 | |a text|b txt|2 rdacontent | ||
337 | |a computer|b c|2 rdamedia | ||
338 | |a online resource|b cr|2 rdacarrier | ||
490 | 1 | |a Costerus ;|v New Series, 203 | |
588 | 0 | |a Print version record. | |
505 | 0 | |a Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgements; Introduction: Responses to Austen's Novels; PART I: PRIDE AND PREJUDICE; Chapter One The Novel: Austen's Ironic Voice; Chapter TwoThe Novel: Courtship Couched in Irony; Chapter ThreeThe 1940 Film: Old England Invoked; Chapter FourThe 1980 Miniseries: Faithful to the Feminist Perspective?; Chapter FiveThe 1995 Miniseries: Faithful to the Female Audience; Chapter SixThe 2005 Film: Everybody Loves the Bennet Family; PART II: MANSFIELD PARK; Chapter SevenThe Novel: Class and Patriarchy Undermined. | |
505 | 8 | |a Chapter EightThe Novel: Marriage as a Game of SpeculationChapter NineThe 1983 Miniseries: The Beauty of Tradition; Chapter TenThe 1999 Film: Aiming for Austen's Voice; Chapter ElevenThe 1999 Film: The Targets of Irony -- Racism, Sexism and Class; Chapter TwelveThe 2007 TV Film: Some Much Needed Sizzle -- ConclusionThe Voice of Irony and the Urge for Idyll; Filmography; Bibliography; Index. | |
520 | |a Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amu. | ||
504 | |a Includes bibliographical references, filmography and index. | ||
546 | |a English. | ||
600 | 1 | 7 | |a Austen, Jane|d 1775-1817|t Mansfield Park|2 gnd |
600 | 1 | 7 | |a Austen, Jane|d 1775-1817|t Pride and prejudice|2 gnd |
630 | 0 | 7 | |a Bibel|p Philemonbrief|2 gnd |
650 | 0 | |a Literature, Modern|y 19th century|x History and criticism. | |
650 | 0 | |a Literature, Modern|y 20th century|x History and criticism. | |
650 | 6 | |a Littérature|y 19e siècle|x Histoire et critique. | |
650 | 6 | |a Littérature|y 20e siècle|x Histoire et critique. | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES|x Composition & Creative Writing.|2 bisacsh | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES|x Rhetoric.|2 bisacsh | |
650 | 7 | |a REFERENCE|x Writing Skills.|2 bisacsh | |
650 | 7 | |a Literature, Modern|2 fast | |
650 | 7 | |a Ironie|2 gnd | |
650 | 7 | |a Idylle|2 gnd | |
648 | 7 | |a 1800-1999|2 fast | |
655 | 7 | |a Criticism, interpretation, etc.|2 fast | |
758 | |i has work:|a Irony and idyll (Text)|1 https://id.oclc.org/worldcat/entity/E39PCFWJh67TmYHjPrr3JXKyBP|4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version:|a Sørbø, Marie N.|t Irony and Idyll : Jane Austen's Pride and Prejudice and Mansfield Park on Screen.|d Amsterdam : Editions Rodopi, ©2014|z 9789042038462 |
830 | 0 | |a Costerus ;|v new ser., v. 203. | |
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