Design collective: an approach to practice
(eBook)
Contributors:
Published:
Newcastle upon Tyne, UK : Cambridge Scholars Pub., 2012.
Format:
eBook
ISBN:
1443844578, 9781443844574
Physical Desc:
1 online resource (x, 272 pages) : illustrations
Status:
Ebsco (CCU)
Description
The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse.
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Ebsco (CCU)
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LC Subjects
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OCLC Fast Subjects
Citations
APA Citation (style guide)
Edquist, H., & Vaughan, L. (2012). Design collective: an approach to practice. Newcastle upon Tyne, UK, Cambridge Scholars Pub.
Chicago / Turabian - Author Date Citation (style guide)Edquist, Harriet and Laurene. Vaughan. 2012. Design Collective: An Approach to Practice. Newcastle upon Tyne, UK, Cambridge Scholars Pub.
Chicago / Turabian - Humanities Citation (style guide)Edquist, Harriet and Laurene. Vaughan, Design Collective: An Approach to Practice. Newcastle upon Tyne, UK, Cambridge Scholars Pub, 2012.
MLA Citation (style guide)Edquist, Harriet. and Laurene Vaughan. Design Collective: An Approach to Practice. Newcastle upon Tyne, UK, Cambridge Scholars Pub, 2012.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Language:
English
Notes
Bibliography
Includes bibliographical references (pages 248-262) and index.
Description
The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse.
Language
English.
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Grouped Work ID:
80a8c653-45f0-27f3-ebc4-7e0a7d40753a
Record Information
| Last File Modification Time | Apr 05, 2024 09:32:20 PM |
|---|---|
| Last Grouped Work Modification Time | Apr 05, 2024 09:12:39 PM |
MARC Record
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| 245 | 0 | 0 | |a Design collective :|b an approach to practice /|c edited by Harriet Edquist and Laurene Vaughan. |
| 260 | |a Newcastle upon Tyne, UK :|b Cambridge Scholars Pub.,|c 2012. | ||
| 300 | |a 1 online resource (x, 272 pages) :|b illustrations | ||
| 336 | |a text|b txt|2 rdacontent | ||
| 337 | |a computer|b c|2 rdamedia | ||
| 338 | |a online resource|b cr|2 rdacarrier | ||
| 347 | |a data file|2 rda | ||
| 504 | |a Includes bibliographical references (pages 248-262) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse. | ||
| 505 | 0 | 0 | |g Chapter 1|t Design Collectives: More Than the Sum of their Parts /|r Laurene Vaughan|g Vaughan, Laurene|g 8 --|t Sharing --|t Shared experiences --|t Shared yet distributed expertise --|t Shared meaning --|t Design collectives as ecologies of practice --|g Chapter 2|t Creaturely Collectives: Parametricism and Getting to the Afterparty /|r Pia Ednie-Brown|g Ednie-Brown, Pia|g 16 --|t Collectivity --|t Individuation and the Collective Life of Individual Things --|t Style as Collective Individuation --|t Parametricism --|t Resonating at the Afterparty --|g Chapter 3|t Inscription as a Collective Practice: Taking Place and "The Other Side of Waiting" /|r Julia Dwyer|g Dwyer, Julia|g 35 --|t taking place: A Loose Collective --|t Tracing a Continuum of Feminist Spatial Practice --|t The Other Side of Waiting: Inscriptions --|g Inscription 1|t Volant --|g Inscription 2|t Dear Ladies of the Club --|g Inscription 3|t Going and Corning Back --|g Inscription 4|t Circling --|g Inscription 5|t Comm.s --|g Inscription 6|t Communications --|t Conclusion --|g Chapter 4|t Practicing Generosity: The Hospitality of Collective Space /|r Melanie Dodd|g Dodd, Melanie|g 54 --|g Chapter 5|t E1027: From Modernist House to Feminist Collective /|r Karen Burns|g Burns, Karen|g 68 --|t Collectives: A Different Account of Agency --|t E1027 --|g Chapter 6|t Play on Display: Videogame Collectives and Museum Culture /|r Helen Stuckey|g Stuckey, Helen|g 87 --|t Introduction --|t Gamers, Collective Intelligence and the New Knowledge Communities --|t Community-Built Online Archives --|t The Case of Sonic: Authoritative Audiences --|t Hits of the Eighties and the Museum as a Graveyard of Dying Objects --|t Intimacy and Agency --|t Curatorial Challenges --|g Chapter 7|t Coming Back to Crochet: How Social Media Supports Handmade Design and Social Innovation /|r Angelina Russo|g Russo, Angelina|g 103 --|t Introduction --|t The Economics of Design Innovation --|t Critical Making and Knowledge Exchange --|t Passionate Practices --|t DIY Citizenship and Ethical Practices --|t Design Communities and Handmade Design --|t Crafting Communities --|t Design as Activism --|t Social Innovation and Handmade Design Practices Conclusion --|g Chapter 8|t Legacy of Historical Design Collectives in Contemporary Experimental Design: A Case Study of Global Tools and Digestion by Matali Crasset /|r Katherine Moline|g Moline, Katherine|g 121 --|t Introduction The Contribution of Design to Globalisation --|t The Design Collective Global Tools and the Principles of Re-purposing and Co-creation --|t Historical Returns and Spectrality --|t Making Design Out of $2 Shop Remnants in Crasset's Digestion --|t Re-purposing Products to Offset the Environmental Effects of the Globalised Waste Culture --|t Expanding the Principles of Global Tools into a Wider Commercial Context --|g Chapter 9|t High Risk Dressing by the Collective known as the Fashion Design Council of Australia /|r Robyn Healy|g Healy, Robyn|g 141 --|t Production of Fashion --|t Catwalk Parade --|t Nightclubs --|t Critics --|g Chapter 10|t Collective Responsibility: The Public and the (UK) Council of Industrial Design in the 1940s --|t Lesley Whitworth --|t Inception of the Council of Industrial Design --|t SC Leslie, the Council's First Director --|t The Council's Early Agenda --|t Parallel Developments: The Utility Scheme --|t Conclusion --|g Chapter 11|t Earthworks and Beyond /|r Jess Berry|g Berry, Jess|g 182 --|t Introduction --|t Earthworks Poster Collective: another social reality for the good of the community --|t Beyond Earthworks: Queensland Collectives 1979-1989 --|t Inkahoots: Commercial Reality and the Community --|t Conclusion --|g Chapter 12|t Collective Identities /|r Marius Foley|g Foley, Marius|g 198 --|t Backyard Press --|t Building a Culture --|t Collective motives --|t Champion Books --|t Co-creation --|t Conclusion --|g Chapter 13|t Creative Ecologies: Flying Nun Records 1981-1997, Xpressway 1988-1993 /|r Sian O'Gorman|g O'Gorman, Sian|g 221 --|t Introduction --|t Creative Ecologies --|t Background --|t Keystone Species|t Diversity|t Locality|t Co-evolution|t System|t Conclusion. |
| 546 | |a English. | ||
| 650 | 0 | |a Art and society. | |
| 650 | 0 | |a Design|x Social aspects. | |
| 650 | 0 | |a Artistic collaboration. | |
| 650 | 0 | |a Industrial design|x Social aspects. | |
| 650 | 6 | |a Art et société. | |
| 650 | 6 | |a Design|x Aspect social. | |
| 650 | 6 | |a Collaboration artistique. | |
| 650 | 7 | |a Individual designers.|2 bicssc | |
| 650 | 7 | |a Social & cultural history.|2 bicssc | |
| 650 | 7 | |a Employee-ownership & co-operatives.|2 bicssc | |
| 650 | 7 | |a ART|x Popular Culture.|2 bisacsh | |
| 650 | 7 | |a Art and society|2 fast | |
| 650 | 7 | |a Artistic collaboration|2 fast | |
| 650 | 7 | |a Design|x Social aspects|2 fast | |
| 700 | 1 | |a Edquist, Harriet. | |
| 700 | 1 | |a Vaughan, Laurene. | |
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