Who's afraid of conceptual art?
(eBook)

Book Cover
Published:
London ; New York, NY : Routledge, 2010.
Format:
eBook
Edition:
1st ed.
ISBN:
0415422825, 9780415422826, 0415422817, 9780415422819, 0203866045, 9780203866047, 9781135234874, 1135234876, 9781135234829, 1135234825, 9781135234867, 1135234868
Physical Desc:
1 online resource (viii, 152 pages) : illustrations
Status:
Ebsco (CCU)
Description

Who's Afraid of Conceptual Art? is a clear and lively introduction to philosophy art and aesthetics though the compelling, challenging, and often perplexing practice of conceptual art.

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Citations
APA Citation (style guide)

Goldie, P., & Schellekens, E. (2010). Who's afraid of conceptual art? London ; New York, NY, Routledge.

Chicago / Turabian - Author Date Citation (style guide)

Goldie, Peter and Elisabeth. Schellekens. 2010. Who's Afraid of Conceptual Art? London ; New York, NY, Routledge.

Chicago / Turabian - Humanities Citation (style guide)

Goldie, Peter and Elisabeth. Schellekens, Who's Afraid of Conceptual Art? London ; New York, NY, Routledge, 2010.

MLA Citation (style guide)

Goldie, Peter. and Elisabeth Schellekens. Who's Afraid of Conceptual Art? London ; New York, NY, Routledge, 2010.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Language:
English
UPC:
9786612377037

Notes

Bibliography
Includes bibliographical references and index.
Description
Who's Afraid of Conceptual Art? is a clear and lively introduction to philosophy art and aesthetics though the compelling, challenging, and often perplexing practice of conceptual art.
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Grouped Work ID:
c2087b02-ed7a-9560-444a-7dbb1df61463
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Record Information

Last File Modification TimeMay 07, 2024 09:03:09 PM
Last Grouped Work Modification TimeMay 07, 2024 08:57:32 PM

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5050 |a The challenge of conceptual art -- The definition and the thing -- Appreciating conceptual art -- Aesthetics and beyond -- What's left once aesthetic appreciation has gone?
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