On the track: a guide to contemporary film scoring
(Book)

Book Cover
Contributors:
Published:
New York : Routledge, 2004.
Format:
Book
Edition:
2nd ed.
ISBN:
0415941350, 9780415941358, 0415941369, 9780415941365
Physical Desc:
xxvi, 533 pages : illustrations ; 29 cm
Status:
CCU Music Library
MT 64 .M65 K3 2004
Description

On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. Plus, it contains over 77 interviews with noted composers, illustrating the many technical points made through the text.

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Location
Call Number
Status
CCU Music Library
MT 64 .M65 K3 2004
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Citations
APA Citation (style guide)

Karlin, F., & Wright, R. (2004). On the track: a guide to contemporary film scoring. 2nd ed. New York, Routledge.

Chicago / Turabian - Author Date Citation (style guide)

Karlin, Fred and Rayburn. Wright. 2004. On the Track: A Guide to Contemporary Film Scoring. New York, Routledge.

Chicago / Turabian - Humanities Citation (style guide)

Karlin, Fred and Rayburn. Wright, On the Track: A Guide to Contemporary Film Scoring. New York, Routledge, 2004.

MLA Citation (style guide)

Karlin, Fred. and Rayburn Wright. On the Track: A Guide to Contemporary Film Scoring. 2nd ed. New York, Routledge, 2004.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Language:
English

Notes

Bibliography
Includes bibliographical references (pages 506-508) and index.
Description
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. Plus, it contains over 77 interviews with noted composers, illustrating the many technical points made through the text.
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Grouped Work ID:
741fe8c8-80dc-3139-84c8-b1cf54a97308
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Record Information

Last Sierra Extract TimeMar 19, 2024 08:29:37 AM
Last File Modification TimeMar 19, 2024 08:29:55 AM
Last Grouped Work Modification TimeApr 05, 2024 09:12:39 PM

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5050 |a Foreword / John Williams -- 1. The Filmmaking Team -- 2. The Script, Meetings, and Screenings -- 3. Role Models and Temp Tracks -- 4. Spotting the Film -- 5. Budgets and Schedules -- 6. Developing the Concept -- 7. Demonstrating the Score: Mockups and Electronics -- 8. Timings and Clicks I -- 9. Timings and Clicks II -- 10. Playing the Drama -- 11. Genres and Source Music -- 12. Composing -- 13. Using Melody -- 14. Using Harmony -- 15. Using Rhythm -- 16. Using Orchestration -- 17. Technical and Practical Considerations -- 18. Recording: The Scoring Stage -- 19. Dubbing: The Final Mix -- 20. Using Electronic Music -- 21. Using Contemporary Music -- 22. Scoring for Television -- 23. Musicals and Prerecording -- 24. Songs -- 25. The Business -- Epilogue: On the Track -- App. B. Footage/Timing Conversions -- App. C. Calculator Method for Timings -- App. D. Drop-Frame.
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