On the track: a guide to contemporary film scoring
(Book)
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. Plus, it contains over 77 interviews with noted composers, illustrating the many technical points made through the text.
Karlin, F., & Wright, R. (2004). On the track: a guide to contemporary film scoring. 2nd ed. New York, Routledge.
Chicago / Turabian - Author Date Citation (style guide)Karlin, Fred and Rayburn. Wright. 2004. On the Track: A Guide to Contemporary Film Scoring. New York, Routledge.
Chicago / Turabian - Humanities Citation (style guide)Karlin, Fred and Rayburn. Wright, On the Track: A Guide to Contemporary Film Scoring. New York, Routledge, 2004.
MLA Citation (style guide)Karlin, Fred. and Rayburn Wright. On the Track: A Guide to Contemporary Film Scoring. 2nd ed. New York, Routledge, 2004.
Notes
Record Information
Last Sierra Extract Time | Mar 19, 2024 08:29:37 AM |
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Last File Modification Time | Mar 19, 2024 08:29:55 AM |
Last Grouped Work Modification Time | Apr 05, 2024 09:12:39 PM |
MARC Record
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100 | 1 | |a Karlin, Fred.|0 https://id.loc.gov/authorities/names/n83066280 | |
245 | 1 | 0 | |a On the track :|b a guide to contemporary film scoring /|c Fred Karlin and Rayburn Wright ; revised by Fred Karlin ; foreword by John Williams. |
250 | |a 2nd ed. | ||
264 | 1 | |a New York :|b Routledge,|c 2004. | |
300 | |a xxvi, 533 pages :|b illustrations ;|c 29 cm | ||
336 | |a text|b txt|2 rdacontent | ||
337 | |a unmediated|b n|2 rdamedia | ||
338 | |a volume|b nc|2 rdacarrier | ||
504 | |a Includes bibliographical references (pages 506-508) and index. | ||
505 | 0 | |a Foreword / John Williams -- 1. The Filmmaking Team -- 2. The Script, Meetings, and Screenings -- 3. Role Models and Temp Tracks -- 4. Spotting the Film -- 5. Budgets and Schedules -- 6. Developing the Concept -- 7. Demonstrating the Score: Mockups and Electronics -- 8. Timings and Clicks I -- 9. Timings and Clicks II -- 10. Playing the Drama -- 11. Genres and Source Music -- 12. Composing -- 13. Using Melody -- 14. Using Harmony -- 15. Using Rhythm -- 16. Using Orchestration -- 17. Technical and Practical Considerations -- 18. Recording: The Scoring Stage -- 19. Dubbing: The Final Mix -- 20. Using Electronic Music -- 21. Using Contemporary Music -- 22. Scoring for Television -- 23. Musicals and Prerecording -- 24. Songs -- 25. The Business -- Epilogue: On the Track -- App. B. Footage/Timing Conversions -- App. C. Calculator Method for Timings -- App. D. Drop-Frame. | |
520 | |a On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. Plus, it contains over 77 interviews with noted composers, illustrating the many technical points made through the text. | ||
650 | 0 | |a Motion picture music|x Instruction and study.|0 https://id.loc.gov/authorities/subjects/sh2010102480 | |
650 | 0 | |a Composition (Music)|0 https://id.loc.gov/authorities/subjects/sh85029403 | |
650 | 6 | |a Film, Musique de|x Étude et enseignement. | |
650 | 6 | |a Composition (Musique) | |
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650 | 7 | |a Motion picture music|x Instruction and study.|2 fast|0 (OCoLC)fst01027209 | |
700 | 1 | |a Wright, Rayburn.|0 https://id.loc.gov/authorities/names/n86851149 | |
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